Gwen Marston logsIn the mid 1970s, Gwen Marston saw an exhibit of fine antique quilts at a local art museum that inspired her to become a quiltmaker. As most quilters do, she learned how to make quilts from traditional patterns passed down through generations.

In 1990, Gwen began to design her own direct, uncluttered, and bold work. Her intent during the past seven or eight years was to simplify the elements, to melt them down to their most basic forms, and thus to allow the color to speak in a stronger voice. In the past year, she has pushed further in that direction, working in a decidedly minimal style.

Now a professional fiber artist, author, and teacher, Gwen works almost exclusively with solid fabrics when making contemporary abstract quilts. She prefers solids for a host of reasons, none more important than the fact that the line and form of the design are more clearly defined. Solids emphasize the delineation between shapes, whereas prints can blur the edges of adjoining shapes.

Gwen first decides on the basic form she’ll use to construct the piece (such as working in rows, or beginning in the center and working outward). Then she thinks about color and scale, and after working out those general ideas, she starts building the parts and designing the quilt, constructing it in an improvisational way.

Rough pencil sketches were Gwen’s original testing method for initial ideas. In 2010, she developed another way: fabric sketches. “Making sketches with the actual fabric I intended to use was a great way to work out composition and color. Because these Small Studies are completely developed, they take on added significance as small works of art, and indeed made up the featured exhibition at the Taupo Art Museum during the 2013 New Zealand Symposium,” Gwen says. The first thirty-seven are shown in her book, 37 Sketches.

Gwen has taught nationally and internationally for over three decades. She has written 26 books, two of which have won awards: Mary Schafer: American Quilt Maker won a 2005 Michigan Notable Book award, and 37 Sketches won a 2012 New York Book Show award.

Her new book, Minimal Quiltmaking, has just been released by AQS Publishing. Gwen’s other AQS titles include Liberated Quiltmaking; Liberated Quiltmaking II, Fabric Picture Books; Liberated Medallion Quilts; Quilting with Style: Principles for Great Pattern Design; and Gwen Marston’s Needlework Designs, Sets and Borders, and American Beauties: Rose and Tulip Quilts (with Joe Cunningham).

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Sherry Tabor

I was honored to take a class from Gwen and Freddy Moran in Ventura, California in 2012. Gwen was great fun, very encouraging and with a wonderful sense of humor. The class covered liberated quilt making and it has changed my whole approach to quilting. It freed me up to try my own designs and to go with my instincts. With Freddy’s attitude about color and Gwen’s approach to design my quilts will never be the same again.

[…] but if I were to list the ones that have had a most direct influence on my quilt work it would be Gwen Marston and her book Liberated Quiltmaking. I bought it in the late 90’s when it first came out, […]

[…] and carried out with a good dose of improvisation and whimsy.  Karen has been deeply inspired by Gwen Marston, and considers her now both friend and mentor. Karen’s quilts have been featured in exhibits […]